Tag Archives: end of year

Writing Tips 3 (Your Slow Writer)

The end is here: my not-so-pro tips of how to write well for 2015. Part 1 discusses my thoughts as a reader while part 2 is a contemplation about how language study and writing practice overlap.

Fear not, in this final (and world-rocking) post, I’m going to espouse on what I discovered with my writer hat on this year.

Part 3: The Writer.

Plan your project based on your life as it is. 

In the arts (and sometimes teaching), everyone is an expert. Even your uncle, aunt and rarely seen Facebook friend from high school has an opinion about what makes a great author. They’ve all got ideas about how much you should write, how much you should read, what ‘evidence-based’ activities you should undertake to spur on your creativity.

Plus, there are professional writers’ opinions. People who have ‘made’ it and sit at home while spraying fountains of words on their adoring fans. They’ve all got their TIME-TESTEDtm advice. Write 2,000 words a day. 3,000. Don’t call yourself a true author until you’re doing  60 crunches while spitting hot prose to a stenographer. “Don’t even compare yourself to me,” a stray-author might say. “Or pat yourself on the back until you’re churning out 67 books a year.”

Let me brag a little too: I’ve produced 8 books (50,000 – 100,000 words each) and 3 novellas (20,000 – 40,000 words a piece) plus too many short stories to remember. I have two out in the public sphere. This discrepancy between published and unpublished is probably not good for my career. Hell, some of those have even been re-written from scratch. For example, one of my novels was so bad that I wrote it again (another 80,000 words), but only count it as one in my quota.

So I don’t know everything the cosmos has to say about production and work ethic, but sometimes I can make it happen. Thank you very much straw-person author. And what I believe is that there’s so much pressure on aspiring writers to meet some subjective standard of production.

2,500 words a day is a fine goal, if you’re a full-time author. (Although, even they often struggle with it.) Or if you’re single and are taking it easy on a redundancy payout. Or if you’re not studying a foreign language. Or if you’re not moving to another country, starting another job, or working extra (unpaid) hours for your ‘vocation’.

Some person out there, in the void, might argue I’m rationalising why I don’t have time to write. Or why I haven’t written that much this year. That’s fine, I am lazy. I struggle with motivation to do more than one serious thing in my free time. I either study or I write. Right now I’m studying Japanese, and working, and married.

Yet, I still sometimes encounter wagging fingers about how if I want to be a ‘serious’ author then I need to produce more. Usually by those who don’t have a job (nor understand that work doesn’t end at 5 for most teachers), and are not in a relationship. They raise their fist to the heavens and give you pat speeches about how you have to tick all the appropriate boxes to consider yourself a certain kind of author.

Maybe you’ve ran into that person on your writing journey? I don’t know. I hope you never do, but just in case, here’s the thing: I like being married. It’s more important to me than a chance at success in the future.

I like my job. It’s not the greatest workplace in the world, it doesn’t pay oodles of cash, but it’s not terrible. I keeps me from living on the street because I don’t come from an upper-middle class family where they’ll subsidise my life so I can ‘become who was born to be’. Also, I want to look after my wife. (Who doesn’t?) That means a job, it means money, it means paying bills and smiling at difficult customers.

So these are things that are real, and they take time. Whoever you are, your life is also full of choices. Full of decisions. You can be an asshole to your loved ones and focus only on your career. (Some published writers are.) You can put yourself first and skimp on your responsibilities at your job. Perhaps you’ll get lucky and everyone will understand; they’ll put up with your shit until you become enough of a success to quit. Maybe even your first book will be a hit and the strain you put on everyone else won’t be that much, who knows? Life is random.

For the rest of us though, we make small and difficult day-to-day choices. We want to be a full-time author but there are so many other things which we need to balance. So many other tasks that need to be completed if we hope to keep our life in harmony.

So, here’s a not-so-pro tip from someone with 8 books hanging from his belt: choose a project that fits your time schedule. Think about how much time you actually have to write. Can you produce one story a month? A novella a year? Three books in three months?

People want consistent output. Something that’s regular and expected. Think about what you can deliver consistently to your audience and then design a writing project around that. You don’t have to write novels. Or novellas. Or short stories. You just have to produce consistently to an expected schedule. No matter how slow or fast you are, consistency is what wins fans and readers over. It even soothes debt collectors.

If you do that, and are a professional, you’re an author. A serious one. It doesn’t matter what any other jackass on the internet says (including this one).

Be a professional

Hey, customers are hard work. Remember when you were a kid and disliked school? Or your job? And how you wanted to join the circus, become a famous TV personality, or start your own Norwegian jazz and salsa band?

Remember how close you came?

Being an author can be a little like that. The author lifestyle can be the rockstar dream for those comfortable in a shirt and jeans. Think about it. Thousands of people praising your novel and telling you how special you are. Filled up panels where you’re asked penetrating questions and hold forth on complicated topics. Where people listen in rapt attention as you speak out your wisdom to the ages. A place where you are respected, not for your looks or slow smile, but your innate personality and knowledge.

Just me thinking that?

In this bubble you are free to be that special, amazing, and wonderful person you could be if all those other people weren’t keeping you down. Weren’t negging you out. If you didn’t have to bend backwards to meet stupid demands / needs / ideas of your boss / senior staff/ customers.

FREEDOM!

Bullshit.

Writing is no different than any other professional endeavour. Everyone has an opinion about your skill set. Whether or not they publish it online (so you can see it), or talk about it with their friends around a coffee table, they have an opinion. Sometimes it’s good, and sometimes it’s bad. Sometimes they tell it to you, and sometimes they are writing for their friends / readers and you just happen to stumble onto it when you’re slightly tipsy at 4:00am in the morning.

Whether you like it or not, you’re a professional. People are willing to pay you money for your skills. You need to treat them with respect (even if they don’t deserve it). It doesn’t mean you have to change for them. It doesn’t mean you have to write for them. What it does mean is that you need to handle them in a way that shows you understand what they’re saying and are (kind of) grateful for their input.

And like most professionals, you’ll have to tell a few lies to make your customers happy. Say that you did love their comment about your missing comma on page 9. Or how you are appreciative for them publishing a snarky article comparing your book to a Hitler / Justin Bieber mashup. It’s okay though, lies are our business. After all, that’s what storytelling is, isn’t it?

Everything is practice

Sometimes when I commune with the universe on top of a mountain while stroking a goat’s beard, I think about boxes. What is the purpose of the metaphysical genre box we built between fiction and non-fiction writing? Or between essays and short stories?

Are we not attempting the same thing? To communicate an idea in a palatable way to the audience? To find a way to sneak past their defences and lodge our own flag in their brain space? Isn’t that our job? To be the greatest advertiser ever known to humankind?

Probably.

Think of a book review and a book blurb. What’s the diference? Both are trying to effectively communicate to the reader what they will discover inside of a novel. A 5-star review should be (almost) the same as its blurb. If someone reads your reviews of another’s novels, they should come away with several things:

  1. What the book’s about.
  2. Does it achieve its goal of entertaining the reader?
  3. What the reader (you) thought of the work.

That’s it. Point 1 is exactly the same as a blurb (kind of, without the marketing gimmicks). So each time you write a review, you are practicing for your own blurbs.

Essays are the same. They expressions of your ideas put into words. They increase your vocabulary, give you a chance to find out how to engage readers and practice editing skills.

Everything you write is practice. Every interaction online with a friend. Every blog post about your day, every email to a friend is a chance to hone your writing skills. Think about how you can say something differently, think about how you can switch up your styles so your friend isn’t just honour bound to read the email but loves getting them.

Don’t waste these opportunities because there are so many. They’ll help you hone your style, develop the rhythm of your prose and expand your toolbox to contain a variety of screw and driver sizes.

Then, finally, when you come to your novel — you won’t have to start from scratch. You won’t have to reteach yourself things you’ve let go rusty over the years. They’ll be honed and the words will pour out onto the page in a torrent.

Maybe. Or perhaps you’ll hide under the covers like I do and play The Witcher 3 in the dark. Both are okay options because it’s your life. Live it. 😉

Picture:

Young girl sitting on a bench writing in her diary (C) andreaxt. Used under standard license from Dollar Photo Club. 

Yearly Book Recap 2015 (Fiction)

Good evening fine word connoisseurs,

As you know, this year I undertook the challenge to read more female authors than usual. My goal was a clean 50 / 50 split, but when failure struck my goal was to work harder at including other narratives than cis white male ones in my literature landscape.

This is the recap of that (very modest) goal. As I’ve read both non-fiction and fiction works this year, I ‘ve split them into two separate posts.  For the fiction post I’ll be using the below categories:

Fiction:

  • Change-your-life good.
  • Worth purchasing. (Fantastic, but not amazing.)
  • You decide. (Might contain some good ideas, some decent writing or interesting characters. Depends on your personal taste if you’re going to get your money’s worth.)
  • Nice try / Gold star. (The author put a lot of work into this, but it didn’t quite come off as well as it could have.)
  • WTF Random Publisher? (How was this even published? For indie authors, they are automatically excluded from this category. Quality control should mean something.)

+ Note: the list numbers do not indicate quality or ranking of the individual books against each other.

Change-your-life Good

  1. Zoo City by Lauren Beukes

Zoo City is gritty, raw and punches the reader so hard in the face they’ll have to wipe away the literary stains. Imagine if Raymond Chandler was still alive, still wrote and embraced multi-cultural narratives. That’s what Zoo City feels like.

2. The Windup Girl Paolo Bacigalupi

Here’s a book that grabs the 21st century, and pulls it screaming onto the page. It doesn’t know what american-centric story-telling is or why white people should be the coolest characters in the narrative. It’s the first (and only) book I’ve read so far that seems to have a global vision when it comes to where Sci-Fi should go.

3. Push by Sapphire

This novel is ridiculous. In 100 pages it manages to worm its  way under your skin and just stick there. Like an ooze. It’s about Precious, a sixteen-year-old with a horrific home life. Even though it takes you into this hell hole of humanity, it also gives you hope. It shows you how Precious (with the help of a good support network) is able to overcome and escape the cycle she was born into.

Female Authors: 2   Male Authors: 1    Various: 0

Worth Purchasing

4. The Namesake by Jhumpa Lahiri

A multi-generational tale about a family of immigrants who moved from Bengal to Boston. Although a little too focussed on the male-side of the family, it covers a range of perspectives and has a snappy pace to it. Highly accessible and very enlightening reading.

5. Once Upon a Time at the End of the World by S. Elliot Brandis

(Full Disclosure: S. Elliot Brandis and I belonged to the same writing club several years ago. ) 

Once Upon a Time at the End of the World is a novella about an android and a prostitute who form an unlikely alliance and engage in bounty hunts after the apocalypse. Exceptionally well written, but at times the dialogue and the themes explored contradict each other.

6. 2001: A Space Odessy by Arthur C. Clarke

An oldie but a goodie. The movie was a wash for my brother and I, but the book fleshes out a lot of the characters’ motivations and creates a fascinating world full of possibilities. Highlights why Arthur C. Clarke was one of the greats.

7. The Real StoryForbidden Knowledge by Stephen R. Donaldson

An exploration of, or treatise on, the darker side of humanity. Stephen R. Donaldson seems to not know where the line is for the reader’s comfort, but creates a compelling story all the same. Consume at your own risk.

8. Howl’s Moving Castle by Diana Wynne Jones

Fun, whimsical and almost impossible not to enjoy. Howl’s Moving Castle follows the story of Sophie as she struggles to inspire Howl to be brave, all while hoping not to fall in love with him. The characters are more selfish than the animated movie, but loveable all the same.

9. Let the Right One In by John Ajvide Lindqvist

Difficult to categorise, Let the Right One In is a fine example of cross-genre literature. It takes the disquiet of horror, the character-building of drama and the poignancy of a coming-of-age novel and mixes them all together. The result is a captivating slow burn of a story that builds to a pitch-perfect crescendo.

Movie Note: Oskar is more complex than the Swedish movie, but possibly not as likeable.

10. American Gods by Neil Gaiman

Neil Gaiman knows how to write. He knows how to create diverse characters and infuse a story with compelling supernatural elements. Unfortunately, he can also get carried away. American Gods is full of profound ideas, but feels a little too loose on the narrative structure and sometimes events happen  that don’t propel the story forward. If it had been trimmed a touch, it would’ve been one of the best reads of 2015.

11. Never Let Me Go by Kazuo Ishiguro

A coming-of-age / boarding-school drama that uses a sci-fi hook to hold the reader. Although the stakes are small and this type of story of love and loss has been told before, Kazuo Ishiguro weaves a tight little tale about 3 students which compels you to read on. Not the most original work to add to your library, but worthwhile to admire simply for its execution.

12. The Mirror Empire by Kameron Hurley

In many ways, a mess of a book. Plot threads are often left dangling in a strong breeze, the story takes too long to start, and then jumps around too much until it finds its focus. There are way too many characters. However, it’s well written and there are ideas piled on top of ideas wrapped in a sandwich of even bigger ideas. However, After the uproar about Patrick Rothfuss’s depiction of women in the Ademre society, The Mirror Empire may be questionably sexist depending on which lens you view it through.

Definitely worthwhile if you’re a writer for inspiration, as a reader of fantasy it might leave too many things dependent on a sequel for a satisfying finale.

13. Boneshaker by Cherie Priest

Boneshaker is an oddity. It’s a really good novel that’s about the lengths a mother will go to to save her son from his own foolishness. A story that features zombies, regret, a steampunk setting and several heart-clenching set pieces. Unfortunately, the front cover makes it look like a wild ride about air pirates. Not what the novel is about at all. So, if you can get over the shock and initial disappointment of not having any awesome dogfights or cussing air pirates in there, you’ll be alright.

14. The Tales of Beedle the Bard by J.K. Rowling

It’s short, the stories are interesting and it’s … J.K. Rowling. If you’ve got Harry Potter fans in your house they’ll love it. If you don’t, they’ll enjoy the twists J.K. Rowling puts on our old myths and creates something new. Good fun for a rainy hour or so.

Female Authors: 6    Male Authors: 8    Various: 0

You Decide

15. All Over Him By Casey Chase

Hot, dumb, erotic fiction. Not quite paranormal though, despite the blurb promising it would be. If you like your sex hard and your men obnoxiously stalker-ish then this is for you.

16. The Paper Magician by Charlie N. Holdberg

Part of the post-Harry Potter fantasy novels which take pre-existing rules and try to tweak them a little bit. Starts out well with a frustrated teenager (one just legal enough to be romantically involved with an older man) who gets put into the ‘worst’ field of magic: paper. This happens despite her ‘mad’ skills.

At the commencement of the novel, the book seems to want to have a conversation about sexism and how it affects women, but then undoes all that by having the main protagonist fall in love with her teacher.

Full of whimsy, but its main plot hook loses momentum half way through and the tone shifts drastically between scenes for drama purposes. The Paper Magician seems unsure if it wants to a contemplation on love and loss or a flighty road through a magical landscape. It tries to do both, but struggles under the thematic weight and collapses by the end.

17. The Hundred Thousand Kingdoms by N.K. Jemsin

Centers on the tribulations of Yeine Darr and her unexpected rise to the city of Sky. Takes some of the ideas of American Gods and twists them splendidly only to have all that setup undone by a passive protagonist. A novel that’s supposed to be about empowering women to challenge the world order, has Yeine’s actions mean nothing all while falling in love with the masculine (and emotionally distant) dark god in the novel.

18. Acid Row by Minette Walters

A thriller with a fantastic hook: what if a town rioted because a pedophile was placed in their neighbourhood? The story starts well with a little mystery and lots of suspense, but gets caught on its social message and psychologist jargon. The author attempts to convey that the community isn’t really bad, nor is the pedophile, it’s the way he was raised and proceeds to explain that three or four times to the reader. Eventually the story and likability of the characters gets buried under useless exposition and over-explained character motivation.

19. Wuthering Heights by Emily Bronte

A classic, but one that was struggle to enjoy. Everything is there: a foreboding father, the backdrop of the moors, inter-generational hatred and domestic violence, but it fell short. I can’t identify why, but unfortunately it didn’t connect with me.

20. Kite Runner by Khaled Hosseini

A frustrating read. The first half, maybe even 3/4, is excellent. Great pacing, fantastic flashbacks and a powerful emotional ride through what seems to be an autobiographical story. However, the last 1/4 destroys all of that. There’s too much lumped in which feels tossed together at the end to make Amir’s life seem less messy than it was.  There’s the confrontation between the protagonist and his childhood antagonist, the mirroring of his friend’s son’s actions against an all too similar event earlier in the novel, a finale which only happens because the Amir forgets everything he knows about kids and says something inopportune, plus the shrinking of a village from many individuals into only those that are relevant to the story. If it was an autobiography, you could write it off. Life is strange. But when it’s fiction the coincidences can only get piled so high before it feels like the author is twisting the world inside-out to get the end out of the tale they want. This is one of those potential greats that got lost on its own trail.

21. The Magicians by Lev Grossman

Magic for hipsters. Perhaps more precisely, magic for ivy-league, male hipsters. They kind of book that struts around pretending to be grown up but is simply a teenager trying on an executive-looking pair of pants. It spends 510 pages trying to get the reader to sympathise with a character who (SPOILERS) cheats on his girlfriend, brings about the death of a classmate and runs away from all his responsibilities. All the while bitching about how life has done ‘im hard. If that sounds like someone you love spending time with then buy away.

Female Authors: 11   Male Authors: 10    Various: 0

Nice Try / Gold Star

22.The Kingdom by Jennifer M. Barry

It features a pixie king and his human love interest  Otherwise a standard paranormal romance. A more comprehensive review can be found here.

23. Elis Royd by Ron Sanders

One of the few novels that starts out with the writer taking shots at some imaginary straw-authors before penning a poorly written tome. Clearly some thought has gone into it, but the execution struggles and the ideas could still with a few more hours in peculation.

24. Evolution’s Child: Earthman by Charles Lee Lesher

A book based on many ideas which has forgotten that an interesting world does not make a novel. Starts out with a solid chase scene but slides into talking heads after that. You might enjoy it if you’re deeply in love with the prose of Atlas Shrugged. More details here.

25. Winter by S.D. Rasheed

A paranormal romance that features one strangely inserted sex scene and ever-changing character motivations. At times forgets its own story and then spirals out of control with a main character who must fall in love with the dark demon to propel the plot along. Possibly the only novel I’ve read this year where I’ve wanted more description from the author so I know what’s going on.

26. Deadly Love by Wesley Robert Lowe

A thriller / mystery / romance about a lost ghost that returns to Canada to find her killer. (Perhaps?) Introduces a world full of drugs, violence and angry sex in the tourist section of Vancouver. All the ghosts have a confusing set of powers and none of the characters are believable or scary. At times I accidentally laughed out loud and rolled my eyes. Unfortunately, you can feel the author had a clear vision they wanted to show in this work but it got lost in the execution.

27. Invasion of Kzarch by E.G. Castle

Wanted to like it, but struggled with the character motivations. Full review can be found here.

28. Wool by Hugh Howey

I don’t want to put Wool here. I don’t. Yet here it is. Two of the best writers I know recommended this work. I read Hugh Howey’s posts on The Passive Voice and head nod along with him, but Wool was not good.

Wool starts with an interesting idea: what if we had to live in a silo due to a nuclear attack? Then he adds a conspiracy dimension to it, and a lot of events that don’t make sense. He kills characters for no reason, has villains pop out of nowhere to increase suspense and has the main character fall in love with a guy she’s met twice. What? How is that even a thing in 2015? Also, it’s long with extended introversion sequences that neither advance the plot nor the characters’ motivation. Overall, it’s a book that loses out due to pacing and plotting problems rather than writing skill.

29. Ready Player One by Ernest Cline

If Scott Pilgrim could come alive and write a novel, this would be it. Except it would’ve been written by the Scott Pilgrim before he had met Ramona. It features a protagonist that is cis, white and a HERO! Because … reasons dammit. He leads his multi-racial crew to justice against the evil corporate empire by cyber-stalking a woman, signing contracts without a lawyer looking them over, and acting like a teenager in front of a director of a company. If you don’t mind that, and the long sections which are not at all related to 1980s pop-culture, then you might want to snatch this up.

30. Speculative Japan by Various

A series of old sci-fi short stories that were translated from Japanese authors. It features 3 opening / introduction essays and 2 afterword pieces, which should give an indicator of what type of book it is. Many of the stories feel uninspired by today’s standards and of the ones that are solid, it’s difficult to know if the original story was blandly worded or the translation turned them into uninspired pieces of prose. Often it feels like a vanity project by those involved and is a tad expensive when compared to the many great anthologies are already available.

31. HMS Ulysses by Alistair Maclean

It breaks my heart that this is here. I love Alistair Maclean. The Dark Crusader and Puppet on a Chain are two of my favourite novels of all time. In saying that, HMS Ulysses is chock full of b-grade war movie dialogue and overly dramatic scenes. Everyone is heroic and the characters, when not advising how dangerous things are, are unable to stop praising the dying captain. Interesting only as a reference point for how Alistair Maclean grew as an author.

Female Authors: 13  Male Authors: 17    Various: 1

WTF Random Publisher?

32. A Girl is a Half-formed Thing by Eimear McBride

An Irish take on Push that goes completely wrong. Written in a stream-of-consciousness style, A Girl if a Half-formed Thing is so full style that it forgets to tell a story. It speaks from the first person in a dialect so difficult to piece together that I simply gave up. Don’t get me wrong, I understood what was being said, but it was so painful and the main character continued to be so annoying that I quit of frustration and read the ending. Surprise: it’s dark ending. If you like art house books, almost impenetrable novels and think reading should be a chore then this is for you.

Female Authors: 14  Male Authors: 17    Various: 1

Picture (c) sebra. Used under Standard License with Dollar Photo Club.